"Madonna and Child of St. Remy" Step 3, & Frame Shopping

4" x 6", egg tempera on Kelmscott vellum

Now nearing completion, I have been working toward portraying a feeling of a living Mary and baby Jesus in this painting instead of just replicating the devotional statue.  Not an easy task, since my reference is somewhat 'doll-like', but it feels important to try.  I darkened the background further, and have started to create a slight feeling of an aura around Mary.

Last week I also went frame shopping, and here are some of the miniature frames I have chosen for my general use:

(detail of Venetian glass floral mosaic frames)

Madonna and Child, Saint-Remy, Step 2

4" x 6", egg tempera on Kelmscott vellum (in progress)

When I work on an image of Mary, I call upon her in prayers, 

as part of my effort to capture her spirit in paint.  The same is true of Jesus as a baby.  The painting has been going very smoothly, and I have been meditating also on the gold of the dress, which I feel makes this Madonna particularly special.  I really enjoyed capturing the lights and colors within the gold. Another darker blue layer has been added to the background to increase the contrast and bring the figures out more. 

Next I will go back to the faces, hands and flesh tones to fine-tune them some more.